Game of Mold: Assorted Notions

I found this video a while back. It's pretty neat.

It inspired me to try and make some kind of politically-charged fungal setting, but I haven't yet honed it down to its key components or what the general notion of the setting is. I still got some ideas down that I feel like sharing though.

This is a world of decay, where fungal houses fight over territory and power. Politics is dealt through spores, mycelium, and control of organic matter. The setting's land is heavy in themes of decomposition and rebirth. The living die and are reborn once more in new bodies, ready to feast upon the dead and die once more.

Through the Southern Gate by Cze Peku

The noble Houses are fungi. Their territory and their physical selves are one and the same, making them all very dedicated to their cause. Each has its own names (never only one), desires, smells and preferred substrate.

The houses have always struggled for power, and have been doing so since the First Flesh died. The world is built on layers and layers of composting political parties and failed rallies.

Cordyceps by Jacob Dunkan

Titans of past civilisations and worlds still stand, slowly encroached with lichens and fungus.

Fruiting bodies spread their spores throughout the land, creating an ever-constant mist. Vague whispers of slogans - "ours is the cure", "death is not the end", "untied we rot" - drift through the clouds, subtly influencing the behaviour of humanoids and beasts alike.

On the Shore of Dreams by Cze Peku

The Dreaming. The collective world of ancestral subconscious; hallucinations of the dead and dying, live and living. Sometimes spores and creatures lose themselves here, becoming more sensory entity than physical. These creatures are abstract forces of synesthesic being, and they have escaped decay by exposing themselves to mental decay. As long as they are sensed, they exist.

Mushrooms by Anastasia Wyatt

There are living beings here. The next generation of fertiliser, or the descendants of detrivores and fungivores. Ghouls, flyfolk, gnolls, and other such beings have been and gone. The fungus enters their bodies at a young age, grooming them into political weapons and tainting their bodies. Some have the gift to turn these infestations into weapons of their own, combining hedgemagic, basal druidry, and diplomacy.

Mushroom soldier by Maxim Verehin

The living that lose themselves to the infection become walking envoys of the houses. Visually similar to myconids but equipped with speech and eyes for a while. These envoys are invaluable to the houses - they provide a rare glimpse into the minds of their voters, allowing them to see where their allegiances lie. The minds of humanoids are as alien to them as a fungal mind is to us.

Meat by Maxim Verehin

A pastor of the Exquisite Corpse. His life and entrails are laid out before him, all the better for him to predict future omens and aid in medical research. Surely their power must be great, for none of their open wounds become septic- those that do are, of course, not truly faithful.

High Priests take offerings from their flocks of the sick and dying. These offerings of functioning organs are integrated into their own, allowing the priests to better love their charges.

The Exquisite Corpse is a faith of purity and fullness in one's actions. They teach that one must act with full intent of their actions, and that doing so will help them distill their essence and allow their bodies to reject external entities.

Assassin's Trophy by Seb McKinnon

The casualties of war between the houses are many. Fortunately, this one cannot speak of the atrocities it has seen.

Societies rise and fall throughout the layers of rot, and dedicated excavators can earn a living by trudging through the grime and bringing back relics that haven't decayed. The way is harried by giant worms, fungal abominations, oozes, and hidden guardians.

Parasitized Moth Warrior by Vasco Mariano

A fungal inquisitor infects and interrogates a dustknight. Their methods are curt and its questioning equally so. For some, infestation and decomposing before one's own eyes is enough to make one betray their house. For others, the inevitability of death makes their threats worth little.

Arachnid Knight by Chenthooran Nambiarooran

Mannimarco, The King of Worms by Shamine King

Left: a dustknight, plated in chitin and wielding large blades. Their oaths are made to preserve the memory of the living, to stop people straying too far into the Dreaming, and to fight against the final decomposition: the time at which there is nothing left to grow upon, and the final fungal bodies break each other down into dust.

Right: undeath is one of the ways to escape fungal enslavement. Mushrooms grow on dead things, and those that remove decomposition from the cycle are free from their influence. As such, the study of necromancy is rich, with liches wandering market streets alongside worms that walk.

decay by Vladislav Orlowski

Speakers of the Chytrid. An ancient household, noted for the slaying of many of the great Olms that hide in dead lands.

universal carcinogen scp - 135 by Vladislav Orlowski

A prophet's birth is rare indeed, and many lords hope for their death to bring about the coffin birth of the realm's next saviour.

Campaign Concept: Queen Ascending

The adventurers have spent the first few levels hunting down the lair of a necromancer. Nothing unsurprising; the general dark cowl and bones aesthetic one would come to expect from a communer with the dead. The necromancer has seemingly been practicing new forms of raising undead and releasing their experiments upon the local countryside.

Summoner by Piotr Dura

Through valiant fighting and careful investigation, the adventurers have found the dark tower of their nemesis. They've scaled the staircase, avoided traps, discovered the true extent of the wizard's machinations. They burst through the final door, entering the necromancer's observatory, from which they can use the moon's power to fuel their rituals.

The fight begins. Spells are launched, blades collide, spectres shift through the floorboards to defend their master.

Then the tower walls explode. An airship has arrived. Three figures swing across on ropes, landing in the tower. One incapacitates the necromancer and shifts out of view, appearing on the ship once more. The other two draw their weapons, ready to engage the players.

Your necromancer has been stolen by githyanki raiders.

d20 Zoology Quests

I've been planning a game based on Witcher-esque side quests, with a monster-of-the-week kind of scenario to them to make it easy to have short, contained sessions. Prior to this I had been asked to potentially run some games for a bunch of zoology students who wanted a campaign focused on wildlife and ecology. With this in mind, I set about making some quest ideas with the following parameters in mind:

• They must focus centrally on creatures, or the interactions between creatures and society
• They must have multiple ways to pass through them
• They must still allow players to engage in typical RPG activities

Here are some of the quests I came up with. Creatures that use lore from D&D are written in bold, but all can easily be changed to other creatures based on your system and environment.

Swamp Ambush by Greg Rutkowski

UA Artificer v2: Tool Usage

WotC's new artificer UA has many traits that are cool, confusing, and interesting. One of these is that the artificer can use a set of artisan's tools that it is proficient in as an arcane focus. This particular box especially caught my eye as an interesting aspect of the artificer to explore:

Keith Baker hit a similar conclusion and similar beats to me on the potential this has for really distinguishing your character and providing unique flavour to your spells and other class abilities. It's worth noting as well that an artificer can be proficient in multiple tools, and whilst they may specialise in one or two, there's nothing stopping them having a variety of options for invention origins.

Please see Baker's post for some examples of this; read on below for some alternatives and additional thoughts on how spells and subclass traits could work with tools in mind. I've left some out but will go back to them in time.

Alchemist's Supplies: Potions, salves, and poultices. Some must be thrown or applied directly to the target; others require mixing just before creation, breaking down and reapplying. You could alternatively go the Fullmetal Alchemist route, though this is likely more a combination of tinker's tools and loosely applied alchemical theory.

Brewer's Supplies: Your tools have given you experience in short hours of work followed by a long duration of waiting for the best results. Your tools can be used to distill and purify. You know just the stiff drink to get a good night's sleep and cure a wound or two along the way.

Calligrapher's Supplies: Baker's ideas of writing the words of the spell or reading them off of paper are solid choices here. Though this may be classified more under painter's tools or an independent tool set entirely, I also like the idea of artificer tattooists, channeling magic through ink and skin, constantly patching up their work as the magic burns out and the ink fades away.

10 Monster Setting – Absolem's Pearl

This is my response to #tenmonstersetting by 3 Toadstools. For this one, I've gone without the suggested creature categories, and all creatures have been taken from 5th edition Dungeons & Dragons.

Underwater by Kiarya

Absolem's Pearl is the lair of the eponymous Absolem, a morkoth that has travelled across the planes on its rocky vessel of petrified dead gods. Kept hot and humid, the lair's ecology is based on the trinkets and 'pets' that Absolem grasps. Once they've landed on the Pearl's beaches and traversed into the coral forests, there is little escape from the morkoth's clutches.

In Absolem's infancy, many of their attempts to collect shiny trinkets and baubles fell prey to the deceptive ploys of mimics. The Pearl is now infested with these ambush predators, leaving adhesive trails across the rocks and shorelines as they take the forms of half-buried swords and hidden escape hatches. Some older mimics have gained great size, becoming curiosities that outweigh Absolem's original desire for whatever petty object they were presumed to be at first.

Mimics have found larger, but simpler-minded prey on the Pearl, allowing them to take on simpler disguises to lure their dinosaur victims. These huge reptilians provide much of the food, heavy labour, and transport of Absolem's loyalists. Many have adapted beyond their initially recognisable forms as they have become more accustomed to an amphibious lifestyle.

Reef by Tim Blandin

The Pearl's riches and captives lure many adventurers to seeking it out; an endeavour that Absolem happily encourages; many of the morkoth's most prized pets are champions, dominated and conditioned into being servitors for their new god. Few of these adventurers last long without getting used to dinosaur steaks and learning to be paranoid of every object around them.

The descendants of Absolem's first prisoners have been shaped by a world of hunting dinosaurs for food and being hunted by shapeshifting ambush predators. Relying on senses beyond their vision to avoid mimics and becoming more zealous and feverish in their worship of the morkoth, these grimlocks consider themselves the chosen ones of Absolem, birthed from rock and salt, created to worship him so that they may one day tear away the skin that covers their eyes and behold the treasure troves of the paradise they live in.

The grimlocks are led by Andromeda, a medusa that has resigned herself to her current fate, simply content that the champions that cross her path are typically too busy trying to run away from an allosaurus to try and challenge her. The grimlocks see her as a powerful sorceress, able to kill enemies before she can smell or hear them. She assures them that one day they too will see, and sends them on errands to fill her demi-lair with treasure and jewels to adorn her sea krait hair.

Not all creatures on the Pearl are inherently prisoners; the berbalang see themselves as seasonal guests, for Absolem makes no attempt to force them to stay. Their ability to whisper to the bones of the dead and be whispered to in return allows them to learn of the whereabouts of lost treasures, which they barter and trade with Absolem in return for access to more precious skeletons or locations of other oddities. Absolem worries that the berbalangs may offer the same services to other residents of the island.

The apex predators of Absolem's Pearl are the various chimera that Absolem pulls through. Somewhat of a pet project, the morkoth finds itself heavily interested in the mix-match creations of cultists and transmuters, bringing the oddities onto the island to observe the interactions between the various creatures. No one chimera looks the same,

Chimeras are, however, not Absolem's truly desired prize. Above any relic, artifact, or slave, what Absolem truly desires is a unicorn of their very own. Several have, over the centuries, found themselves ripped from their woodlands and placed in a barnacle-encrusted world. Their bodies wasted away as the plants they tried to summon got drowned in brine and their connection to the natural world faded away. From their cadavers, corpse flowers have bloomed. These roaming plants provide nutrients to dinosaurs, and the herds of grimlock corpses- easy to gather due to the grimlock's heightened smell making them more vulnerable to the flower's pollen- provide both food for mimics and protection from trapped adventurers.

Underwater Coral Forest by Veikka Somerma

Adventure Hooks (idea taken from Archon's Court):

1. A t-rex has started to show signs of a corpse flower growing on its flesh. If the plant isn't destroyed before the t-rex's necrotised wound claims it, the flower will have a giant skeletal dinosaur army at its disposal.
2. A berbalang has found the location of a powerful magic item, and is receiving offers to trade from both Absolem and Andromeda. It needs help deciding which offer to accept.
3. The grimlocks have been infiltrated by an intelligent mimic, but without the ability to see, they cannot tell which is the imposter.
4. Absolem is on the lookout for a mage able to create some dinosaur chimeras. They've spent so much time wondering whether they could do such a thing that they completely ignored the question of whether they should.
5. A champion ancients paladin has purposefully been captured in order to rescue the most recently abducted unicorn. She needs help to do this, and the grimlock cultists are hot on her trail.

Creatures used:

1. Morkoth - Volo's Guide to Monsters, pg 177-178
2. Mimic - Monster Manual, pg 220
3. Dinosaurs - Monster Manual, pg 79-80; Volo's Guide to Monsters, pg 139-140
4. Champion - Volo's Guide to Monsters, pg 212
5. Grimlock - Monster Manual, pg 175
6. Medusa - Monster Manual, pg 214
7. Berbalang - Mordenkainen's Tome of Foes, pg 120
8. Chimera - Monster Manual, pg 39
9. Unicorn - Monster Manual, pg 293-294
10. Corpse Flower - Mordenkainen's Tome of Foes, pg 127

Consider the Fomorian

I've been a bit AWOL recently after a rather productive spurt. I shall be trying to get back into the swing of things soon! To start things off, let's have a look at one of D&D's monsters that come from Irish mythology...

No one is entirely sure where the fomorians got their curse from. Some say it was archfey that forced them to show their internal ugliness on the outside. Others believe it was the gods, for the fomorians themselves give praise to no higher or lower powers. Perhaps they were once gods themselves, cast down by other divines for their cruelty. Mages speculate their attempts at fully mastering magic backfired, or that they are the result of exposure to arcane fallout.

The fomorian curse is focused on the malice and cruelty in their hearts. The more wicked a fomorian's thoughts and intent, the more disfigured their bodies become. This results in an almost neverending spiral, as the uglier the fomorian becomes, the more spiteful and self-loathing it feels.

No two fomorians turn out entirely the same. Some are covered in warts and monstrous growths; others have vestigial twins embedded in their flesh; some look angelic but reek like cesspits and speak like scraping metal sheets.

The Fomors by John Duncan

Reptilian Campaign

A friend of mine recently proposed running a campaign based on Dinosaurs of the Wild West by Shaun Keenan.

Image from Shaun Keenan's ArtsStation.

I chatted with him about potential ways that the idea could be used, which in turn led to him making the following (abbreviated) setting premise:

Long ago, the divine pantheon split into those that would strike out against the devils and those that would not. The warring gods were victorious, but in doing so disrupted the power struggle between devils and demons, resulting in demons breaching the surface world. To destroy them, the gods that had avoided hell used much of their power to banish the fiends back to their pits and lock their more violent brothers away, turning them into the new archdevils. This war caused mass arcane fallout, making a world where those with thicker skins (figuratively and literally) could endure moreso than others. This is the age of reptile supremacy.

Whilst it does detract from the simplicity that was dinosaurs in the Wild West, I ran with the ideas a bit further to see how players would actually interact with these concepts in a way that their characters would know and understand. Here are a few ideas that I'm especially happy with.

Gods & Devils

I am under the assumption that my friend was planning to either use or heavily be inspired by the Forgotten Realms pantheon, with Tyr as the god that headed the fight against the archdevils. With this in mind, the trapped gods are now the new archdevils. From this, you gain two pantheons; the pantheon of Old Gods that ended the great war but are now drained of power, and the pantheon of Fell Gods that have increased power but at terrible cost. The new archdevils take their duty- fighting the demons- seriously, and only they truly know whether they feel remorse for the position they now find themselves in.

All sacred animals and relevant symbols are of course replaced with dinosaurs and other large reptiles.

Tiefling Martyrdom

The first tieflings could mostly be paladins & clerics of the old gods, meaning tieflings (at least some of them) could be a very religious/zealous lot, seeing their makers as martyrs instead of evil entities. It could be a strange surprise for people to see these infernal humanoids practicing the same faiths they do, just as pious and humble as those around them. They know their forefathers fell from divinity out of their belief that they could make the world safer, and they still hope that if their gods can break free of the prison, they can continue their good work and fix the mess that the material plane now is.

Skull Collector by Raph Lomotan

Mammalian Underdark

Deep beneath the earth, the underworld houses an echo of what the world could be now; one without dinosaurs and reptilian overlords. It is a cold, harsh place, dwelled in by strange mammalian goliaths: cave mammoths, echolocating terror birds, pale smilodons. Hidden in small communities, shamanistic neanderthals hide from the cavern beasts and praise the remnants of the god war that have fallen through the cracks of the earth.

I pitched this idea to myself as an underground ice age. Imagine traveling through caverns and tunnels with low light and food, but everything is cold, covered in thick snow or slippery ice, and there are sabre-tooth cats lurking around the corner.

Watcher of the Ancients by Bjarke Pedersen

Giant skeletons

In my friend's original idea, the remaining gods that fought the demons used an army of giants and dragons to fight them. Whilst some dragons survived to help introduce the age of cold blood, the giants fell in battle.

Their skeletons litter the land, ripe for taking by those skilled with necromancy. In this land, 'undead' does not invoke memories of shambling hordes, but of gargantuan striding beasts that rise from the sands, called to new wars beyond the grave.

I am reminded of the Japanese gashadokuro: giant, invisible, vampiric skeletons.

Bound devils

People make pacts with weakened devils, binding them to objects to access their power. Some call them artificers, but others know the real truth. How else do their crossbows shoot hellfire bolts, or their cloaks shrug off damage and reveal a winged, horned shadow standing behind them at all times? What is devil worship but another kind of prayer? Can any of the believers in the weakened gods above claim to have communed with their lords face to face, to have shook their hand and left with blessings?

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I'd also highly recommend checking out Goblin Punch's mutant dinosaur generator, as well as their dinosaur cleric. It's a cool idea that could be fun to play with.

These ideas definitely aren't the most directly related to Wild West Dinosaurs, which is possibly why I like them- they can be used for other things outside of the initial premise.